Tips on Painting from a Photograph – Part 3

In this last part I wanted to mention a few points that are important if you are painting the picture for someone else.


If you are given a photo and asked to paint it then be sure to check what the other person expects.


Expections

1. Perhaps they really want a painting of the photo just as it is, in which case you will have to try and keep the picture fairly true to the photo.


2. They may say that the photo is just a starting point but they want the final piece to be recognisable as the photo. In this case you have a bit more flexibility with the composition and colour of the painting.


3. Or they may say that they are happy for you to paint your version of the photo. This will give you the most freedom with the choices you make.


It is always best to discuss what they expect the final painting to look like. This will avoid disappointment for you both!


An Example


I painted a pet portrait from a very small photo (the head in the photo was about half an inch by half an inch) and felt that the final painting was a good likeness. Although the client was happy with the painting she said that it was her partner’s dog and she had never seen it when it was younger. The dog was going grey and this was not apparent due to the size of the photo.


For myself - I prefer to remember pets in their prime, looking healthy and alert. But I should have discussed the painting more than I had. Maybe a painting of the dog looking older would have been more appreciated by the owner.

Painting in the Evening - Daylight Bulbs

I like to paint in the daylight, I think it makes it easier for mixing the colours and you can see if the dried paint is the colour you wanted. However you may have your painting time in the evening and painting by artificial light can make the colours look quite different.

I received a gift of a couple of daylight bulbs one birthday many years ago. They look very odd; I did wonder why I got a couple of blue light bulbs! They are unusual looking. But once I tried them I was very happy and found that I enjoyed painting in the evening as I could see the true colours of the paint I was using.



A Bit about Daylight Bulbs

The science part…


From Wikipedia, the free encyclopaedia


‘Full-spectrum light is light that covers the electromagnetic spectrum from infrared through near-ultraviolet, or all wavelengths that are useful to plant or animal life; in particular, sunlight is considered full spectrum, even though the solar spectral distribution reaching Earth changes with time of day, latitude, and atmospheric conditions.

"Full-spectrum" is not a technical term when applied to an electrical light bulb but rather a marketing term implying that the product emulates natural light.

Products marketed as "full-spectrum" may produce light throughout the entire spectrum, but actually do not produce an even spectral distribution, and may not even differ substantially from lights not marketed as "full-spectrum”

(They are often said to appears similar to noon daylight)


Use in art and in color matching

Full-spectrum fluorescent lamps are used in the art studio by artists who paint pictures on canvas when they paint at night or inside (ideally, during the day the art studio should have north sunlight, but many artists don't have access to north sunlight so they use full-spectrum lamps instead) in order to make sure that the colors they are using appear in their natural hue as they will appear when the painting is displayed in a home or in an art gallery.

Full-spectrum lamps are also used by color scientists or color matchers in paint stores to match colors at night or inside when they don't have access to north sunlight.’


The daylight bulbs that I have are over 20 years old. They look like a normal light bulb that has been painted blue. They seem to last very well, but maybe I've been lucky!

As I looked online the newer versions appear to be clear. And come in a range of shapes and sizes.


Want to try one?

If you want to try one I would recommend buying a bulb that will fit a lamp that you have already. That way you will just be paying for a daylight bulb and can see if you like them.

If you find that they suit you there are a wide range of lights made especially for painting and crafts, from ones that clip onto your easel to desk and floor lamps.


Not just for painting

If you decide to get a daylight lamp be sure to use it for any other crafts or hobbies you have, they are not just for painting. So that will make it a better investment for you too.

How to use Fabric to Produce Colour Matching Artwork

When you’re decorating a room you will often replace the curtains, cushions and other soft furnishings. You can use some of the new fabrics to create your own colour (and pattern) matched art.


What size?

Choose your stretched canvas so that it is the size you want for the completed picture. This choice will probably depend on where you intend to display the canvas.


Then you have a couple of options...

1. You can stretch the fabric over the canvas, and staple it on at the back. Seal the fabric with a clear acrylic medium and leave to dry. You now have a completed piece for displaying.

When you’re using a medium to heavy weight fabric (cotton works best) you can fix it over just the stretchers. (In the same way as a stretched canvas, but without the canvas)

If you’re good at woodwork you could make up a wooden frame to stretch the fabric over.

2. Or once you get to this stage you can prime the fabric with a matt acrylic medium and once it is dry you can add some paint to enhance the look and make a totally original piece of art.

If you’re using a fabric with a pattern you will need to use transparent or thinned colours if you don’t want to cover up the original fabric pattern.


Use your imagination

This is an interesting way to make matching artwork when you are decorating.

You can use some of the leftover fabric and add additional colours or patterns. This way the artwork will match those colours and patterns used in the room without being exactly the same.

Top Tip Be sure to buy some extra fabric it you want to try this idea.

You could add some metallic paints to decorate the fabric, or paint some thicker paint onto certain areas to make it more three dimensional.



Fabric weights

If you wanted to do this with a thinner fabric you can glue the fabric onto a stretched canvas. However if the fabric is strong enough you can just staple it onto a stretched canvas instead. Just stretch the fabric and staple it onto the back of the frame for the best result.

To do this start in the middle of the opposing sides and work out towards the corners. I find it best to do just the middle section of the top and bottom sides, then the middle section of the left and right sides before getting all the way to the corners. It helps to get the fabric smooth and flat.

If you have trouble getting a tidy result you can always remove the staples and start again.

As I mentioned already if you’re using a strong cotton type fabric you have the option of fixing it to just the stretchers (without the canvas). However I like to use a stretched canvas as I think that having the canvas underneath the fabric makes the final piece stronger and it’s easier to paint onto as well.


You could sew

If you wanted to use a few different fabrics you could always sew them together to make up a fabric section big enough to cover your stretched canvas. And then carry on from there.

You can really use your ingenuity to produce something wonderful.


Other additions

This idea works really well with patterned fabrics. You can just pick out some of the pattern to enhance, either with additional paints or adding some of the unusual acrylic mediums. Some of these acrylic mediums have things added to them (like small beads) to produce an interesting look.

Acrylic paint also acts as an adhesive so you could add small objects to the wet paint.


The Best Top Tip

Be sure to staple the fabric onto the back of the stretched canvas so that (when the canvas is hung) the stapled area will be facing the wall. Spend a bit of time getting the corners looking neat and tidy too. This means that you can hang the artwork without a frame and it will look great.

This is a modern look and (with no need to pay for framing) it will save you some money too.

Making your own original artwork can be easier than you think.

Snow Scene using 3 Colours

See how to paint this lovely snow scene using just three colours of acrylic paint, available from the Learn and Do website.

Computer video files

This is a computer video file on two CDs. The first CD shows how to paint this snow scene. The second CD shows the finishing touches and has the e-book guide to painting the picture.

The guide is a .pdf file showing photographs from the video at the various stages so it is easy to follow when you paint the scene yourself.

These files are viewed using Windows Media Player – if you have one of the newer versions of Windows you probably have it already on your computer.

Using computer video files means that, unlike DVD, there are no problems with regional variations.

Get your copy

To buy your copy just visit the Learn and Do website (link at the top of this page) and go to the order page for The Acrylic Painting Course. This item is listed at the bottom of that page.

Add Cotton Buds to your Painting Equipment

Using Cotton Buds

I was recently painting a landscape and the middle distance area was too bright. It needed to be subdued to help give the picture a sense of depth.

With acrylics it is easy to just add a wash of a grey or blue grey to achieve this. However I wanted to keep a few lighter areas as well.

You can remove paint with paper towel but paper towel was a bit big for the areas I wanted to lift out.

Get organised before you paint

So I made sure that I had a couple of cotton buds handy before I painted on the wash. Acrylic dry quickly so you do not have time to go and get the cotton buds once the wash is applied!

Using the cotton bud I could easily lift off the colour in quite small areas, and it was much more controllable too. In this particular painting the wash was over a wooded area so I lifted off the colour to highlight just a few of the trees.

Keep a few with your brushes

I think that you will find it a good idea to add a couple of cotton buds to your painting equipment.

Acrylic Painting Technique - Use a Credit Card

A new way to use your credit card – when you’re painting

Do you remember in the Karate Kid movie the part about Polish On and Polish Off to build up his muscles? Well this technique it a Paint On and Paint Off one.

Trying different painting methods to achieve a good effect is one of the most interesting aspects of painting. So here is another one for you to try.

Paint on

Remember you don't always need to apply paint with an artists brush. There are other options like using a palette knife or even your fingers.

An alternative method for highlights

Try this on a test piece first. You simply apply the paint thickly and then remove some of the paint for the highlighted area. One of the best things to use to remove the paint is a credit card. This is quite a common watercolour technique but it works just as well with acrylics.

Paint Off Example

You can paint some stones in a fairly flat way, they don't need to look particularly three dimensional, and then use a credit card to scrape off the paint for the lighter or highlight area. Some of the paint will be left on the painting surface giving a paler section.

I think that the final result works very well, especially for rocks. It can also be very effective for the texture on tree trunks.

As acrylics dry quickly you need to be speedy! If you want to have a bit more time to work the paint you can add some gel retarder to the paint to slow down the drying time.

I've seen the scraping off of the paint done using a razor blade too, but that's a bit too sharp for me! You could try using a palette knife instead of the credit card; it will give a slightly different result.

Painting surfaces

This technique is most effective when you're painting on a paper surface, particularly a rough textured one.

However you can practice it on any painting surface you're using to see what effect it will give you. Then you can decide if you want to include the effect in your picture.

I found that it was disappointing when used on a stretched canvas unless the paint is applied really thickly.

However on a suitable painting surface it can be very effective and is another technique to add to your painting arsenal.

The Easy Way to Mask off an Area in a Painting

There are often sections of a painting that will need a hard edge. Although you can paint up to the edge, keeping a definite line can be difficult.

It is usually a better idea to mask off an area, paint the section that borders it, remove the mask and complete the painting.

Masking Options

When masking an area you have a few choices.


Masking Fluid

You can use masking fluid which is like a liquid plastic and is painted on.

Top Tip use an old brush to apply masking fluid as it can be difficult to clean completely from the brush.

Let the masking fluid dry then paint the surrounding area. Once the paint is completely dry remove the masking fluid. Do not leave it on overnight or it can be hard to get off without damaging the painting surface.

Masking fluid is handy for curved and irregular shapes.


Masking Tape

I like to use masking tape. It is especially good for horizon lines in seascapes. The best part about masking tape is that you can remove it once you are confident that the paint is dry enough not to run.

However if you are painting on a paper surface it can sometimes pull the painting surface if you are not very careful when you remove it. Be careful when removing it.

I find it works very well on canvas and canvas panels. In this sketch I used it around the edges to give the finished painting a clear border.


Card Mask

Another method, and probably the easiest one when you are using a paper painting surface, is to use a piece of card. I usually end up using a piece of card from the breakfast cereal packet!

This method works best when you are using a dry brush technique, you do not want the paint too thin or it will flow beneath the card mask.

You could use it for painting in hedges in between fields in a landscape. This makes painting in hedgerows really quick. Just place the card, paint in the hedges, remove the card and paint in the field. Paint in the field while the hedge is still damp and you can blend the bottom of the hedge with the field colour for a lovely effect.

Another good example is using it to mask off the roof when you are painting shrubs and trees behind the roof line of a building. (This is shown in the illustrations).

All you need to do is cut a piece of card and hold it to mask off the roof while you use quite a dry paint to indicate the trees to the rear of the building.

Tip I find that that a card mask works best for short distances, using a large piece of card can be a bit awkward. I prefer to use a shorter piece of card and move it along as I paint.

Both of these examples use a straight edge on the card; however you could also cut the card into any shape you want for different uses. The key is not to use too wet a paint which would bleed behind the card and ruin the effect.


Which is best?

Your final choice will probably depend on the painting surface you are using.


A Word of Warning

Remember that acrylic paints are adhesives once dried. If you use a mask with very thick paint it may be stuck into the painting. Perhaps not the look you were trying for!

This is most likely to happen with masking fluid because it is removed once the paint is dried.

However, masks are very useful when using the paints more thinly and especially when using watercolour techniques.

In this quick sketch I used masking tape around the picture.

I used a card mask (second picture) for the hedges in the fields and for the building to keep the paper where the building will be clean. This is very handy when using the paint in thin washes of colour.

Colour Tips and Techniques - Pale Red??

Paler Shades and Highlights.

What about Red?

There are a couple of ways to get a paler colour when you are painting. These pale colours are normally for the highlighted areas or areas where the light is hitting the object you are painting.

1. You can paint a thin layer of paint and let the white of the painting surface show through. This works well as long as you are painting on a pale surface. Generally speaking you will be. ;-)

2. You can add white to the colour to make a pale version of it, called a tint. This works well except when you try to do it with red. Adding white to red will give you pink, which is probably not what you wanted!

Highlights when using Red

When you are painting on a non-white surface you can paint the area of the highlight white, let it dry and then over paint with a thin layer of red to get the same effect as in Point 1 above. (This will work with other colours too.)

If you are trying to add a highlight, for example, to an area that you have already painted then let the paint dry before adding a thin layer of white to the area for the highlight. Use quite a watery mix if you want some of the red to show through. White is an opaque colour in acrylics and the area can look a bit chalky if the white is applied too thickly.

Or....

An alternative method is to apply further layers of red to the darker areas of the object. When you add extra layers of paint the colour looks richer and deeper. These richer coloured areas will enhance the highlight effect in the area with just the one layer of paint.

Try this on a spare piece of paper; it is a very good effect. The highlight area has just the one layer of paint, and the middle and darker areas will have more layers of paint to give a richer colour.

If you go on to add shadow shades of red as well you will be able to achieve good results.

Shadow colours for Red

The shadow shade for red will depend on what you are painting. It could be a purple made by adding some blue. However if you wanted a more neutral look try adding a little of the complimentary colour (for red that would be green) to dull the colour down. We looked at this use of complimentary colours in a previous posting.

Maybe try using several techniques?

Of course you could use a mix of these different options too. Maybe a thin layer of white for the highlight, plus some extra layers of red to the middle tone areas and then some darker shadow tones. It will really depend on your subject and the effect you are trying to paint.


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Ready to Learn to Paint?

Beginners Acrylic Painting Report and Video File on CD

The Acrylic Painting Tips and Techniques for the Beginner Report tells you

* What equipment to buy
* How to set up your painting supplies
* And there a couple of easy projects to start you off

And there is more

As well as the Acrylic Painting Tips and Techniques for the Beginner Report there is Acrylic Painting Equipment and Techniques computer video file that runs for about 19 minutes. It shows how to set up your palette, how to load artist brushes and a bit of colour mixing too.

Both these items are sent to you on a CD so there are no downloading worries.
Visit the link below to find out more. (This will only be available for a couple of months.)

http://www.geocities.com/cathcald

A Different Way to Paint Trees, Ideal for Beginners too!

I was watching a TV programme where the man was painting trees, or tree shapes to be more accurate. It was a technique that I hadn’t seen before so I thought you would find it interesting too.

He started by painting in the trunks and some branches then added the leaves using a piece of towel. Just a normal fabric towel, the kind you dry your hands on. He bunched it up in his hand and used a smooth section, not a crumpled part.

As you can imagine by dipping the surface of the towel into the paint and then just touching it onto the painting surface gives a random texture. The result was very effective too.

The key point is to keep within a tree shape with the towel texture. You can add some detail with a brush to tidy it up if necessary.

Be sure to try it on a spare piece of paper with an old bit of towel or an old face cloth to see if you like the look before you add it into your painting!


Making Green for the Trees

We discussed this before but it seems relevant to revisit this handy colour mixing tip here.

If you have mixed up a blue and yellow to make a green, or used a premixed colour, you can often find that it is too bright. Try adding a little red to the green to make it more subdued.


Why this works

When you mix two complimentary colours together you get a neutral colour. A complimentary colour is the colour on the opposite side of the colour wheel, to your original one. An example would be yellow and purple.

So by adding just a touch of red to your too bright green you are making it more of a neutral colour and therefore less bright.

This type of colour mixing information can be found in the Colour Mixing Tips and Thoughts Special Report at the Learn and Do website. At present it is a bonus with The Acrylic Painting Course. :-)

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New Beginners Acrylic Painting Report and Video File on CD

I have a new item on CD that is suitable for anyone ready to learn how to paint.

(If you already have The Acrylic Painting Course this is NOT for you.
You will have all this information in the course.)

The Acrylic Painting Tips and Techniques for the Beginner Report tells you what equipment to buy, how to set up your painting supplies and there a couple of easy projects to start you off.

And there's more…

As well as the Acrylic Painting Tips and Techniques for the Beginner Report there is Acrylic Painting Equipment and Techniques computer video file that runs for about 19 minutes. It shows how to set up your palette, how to load artist brushes and a bit of colour mixing too.

Both these items are sent to you on a CD so there are no downloading worries.
This information will be available for the next month or two before I remove it.
Visit the link below to find out more.

http://www.geocities.com/cathcald

Painting Technique - Painting the Negative Space

When using acrylic paint you can add layers of light colour to increase the definition of a pale area. However another option is to paint in the negative area to highlight the pale area.

This is a very good technique and can make your paintings more interesting. It is also an easy way to add detail to a flat area of colour.

The example is just a small section of a painting but it shows how this simple technique can quickly add interest with the minimum effort!

In this example

Always try to contrast light and dark areas in a picture. When you have this kind of contrast it is easy to paint in some of the negative areas because one of the adjoining sections will be in a darker colour.

(I think that it is more successful to paint in negative areas with a darker colour, but if you want to try to use a lighter colour over a darker one be sure to use the paint more thickly.)

In this case the dark colour is used to make the top of the pale area jagged; this makes the pale area look more grass like.

In the example the darker colour was used to paint in the negative area behind the grasses and then faded into the background area. The unevenness of the stone wall made this easy, but if the negative area was smooth you can just blend the colour using water to thin it. By leaving a darker edge next to the pale colour you get a nice contrast too.

Use this technique

To add definition to any areas you feel needs it. It would be good for darkening the area to the side of a tree trunk and make the trunk stand out a bit more. Ideal for the trunk of a silver birch, just add some extra dark shades to the area at the side of the trunk to give the trunk more contrast and this helps to make the trunk more three dimensional too.

It is great for forest paintings as you can hint at more trees in the background without giving them too much detail.

Top Tip – the greatest contrast areas are always in the foreground of a picture. Make sure you have the contrast between the colours suitable for the distance in the painting, i.e. not too much contrast for areas in the distance.

Visit the Learn and Do website at http://www.learnanddo.com/ to find out more about The Acrylic Painting Course. Check out the free preview of the course too.

Making Your Own Custom Artwork using Aperture Frames

Original painting and the final framed picture

Some of the options that could be used from the original painting.

Making artwork to match your décor is an interesting and easy project. This article looks at different options when using aperture frames. Aperture frames are widely available from home furnishing shops and other household stores.

An aperture frame comes complete with a mount (mat) cut to display photos. The size of the aperture can vary but usually they are photograph size, often 6 by 4 inches. The frames can be suitable for a single photo or for a number of photos to be displayed in the one frame.

These frames are a handy way to make your own artwork to display in your home. There are a number of options when using these frames, not including the intended method of using photos!

Landscape Option

For this idea you paint one piece of paper that will fill the whole of the frame. This works particularly well with frames that have more than one aperture. Once your painting is placed behind the mount it will give the effect of a range of matching landscapes.

You don’t need to get too worried about the actual landscape because the final piece will only show a few sections of the painting. I like to use a horizontal looking landscape with the sky, distant hills, closer areas painted in very simply.

Once the paint is dry you can place the mount on top to check the result. You can always add more detail if you want.

Top Tip – Make your painting larger than the final picture. This will allow you to move the pre-cut mount around your painting to give you a range of options to choose from.

Abstract Version

Using the same technique you could use just horizontal stripes instead of a landscape. If you include similar colours to ones used to decorate your room you will have a quick and easy method for creating matching artwork.

Paper Version

If you don’t want to paint anything yourself you could use a piece of gift wrap instead. Find a wrapping paper you like and use it, in the same way, in the aperture frame instead.

You could always try a piece of wallpaper from the room.

Fabric Option

It doesn’t have to be paper! Try using a thin fabric behind the mount for a different effect. Perhaps you could try some of the upholstery fabric from your room if it is not too thick.

Another option is buying an off-cut of a fabric you like or that has the colours you want to include in your picture.

The Final Finish

These ready made frames provide a range of possibilities for making your own unique artwork. The frames come in a good range of colours and woods too. Select the frame that will match the style of your room for a pleasing result.

The best part is that once you put the frame back together it is beautifully presented too. Amaze your friends with this easy way to make an original display. This would make a great gift too.

Using 'Light Reflecting' Paint

The How to Paint Abstracts for Pleasure and Profit report discusses how to use water-based paints to make your own unique artwork. This free report is available using the link above to the free report on painting. In the report I talk about how to use the same paints (that were used for decorating the room) in the painting so that your final picture will be a perfect match.

I’ve found that mixing different types of water-based paint works well. I usually seal the final picture with a thin coat of matt acrylic varnish or acrylic medium. This will ensure that the artwork can be wiped with a damp cloth to remove any household dust.

A New Paint

I recently discovered a Dulux paint called Light & Space. They say it “reflects up to twice as much light around the room using our unique LumiTec (tm) technology. It’s an amazing effect …”

I wondered what effect it would have in a landscape painting. Could it make the light glow and add to the impression of the reflections on the water?

What I Did

I bought a tester pot in Pacific Breeze (tm) - they seem to have trade marked all the names! I painted this (quite roughly) in the centre section of a stretched canvas. Hoping to be amazed I let it dry and then took it indoors to see the effect. ;-)

To be honest it isn’t a huge effect but there is a little more light reflected in certain low light levels. I was hoping for more but decided to carry on with the painting in any case.

Limited Palette

I like limited palette painting - that means just using a few colours and adding white and black to get the range of tones.

In this case I wanted a subdued blue. I mixed some ultramarine blue with some black in a small container. This was my main colour and I only added white and black to the main colour for this painting.

Technique

With this technique it is best to mix up a good amount of the main colour so that you don’t run out and have to remix your main colour. Trying to match the original colour can be a real nuisance.

The Result

There is a difference in the water and the cloud areas where the original Light & Space paint is still visible. In low light levels it gives off a slight glow, and I think this is what keeps you looking at the painting. It is not an obvious effect but it is something that seems to catch your eye.

Why not invest in a tester pot and try it yourself? You could use it in an abstract painting too if you wanted.

Top Tips for Painting with Acrylic Paints – Number 9

Using thick paint

Try applying acrylic paint thickly to get an effect similar to oil painting. Applying acrylic paints thickly will give a textural oil paint look.

Use it for foreground definition

The closer a part is to the foreground of the picture the more detail you can see. So put more detail in the sections in the foreground of your painting to help this illusion.

One way to do this is to use the paint thickly in the foreground of a picture for texture and increase the detail. The painting will look more interesting too.

Top Tips for Acrylic Painting – Number 8

Acrylic paints are very versatile. You can use them both in thin coats of colour or thickly depending on the result you want.

Water Colour Effects

Thin coats of acrylic paint can be used to give a watercolour look to a picture. The thin layers of paint will have the transparent quality of watercolours.

A point to remember when painting using transparent coats is the white acrylic paint is an opaque colour. To paint a pale colour do not add white to make it pale, instead add water to thin the colour and apply thin layers of paint.

On a white background the white of the painting surface will show through the colour making it appear paler.

Useful Info about Mounts or Mats used in Picture Framing

This months post looks at mounts, or mats, used in picture framing.

When you are framing a painting or print it can look better if you add a mount to the painting before having it framed. This can make a small painting look larger and more important when hung.

The mount is the paper or card border around the picture. You would use a mount on a picture that is painted on paper or one of the thinner painting surfaces. If your picture was on a stretched canvas having it mounted would not be an option.

I’ll use the term mount throughout this newsletter rather than saying mount or mat the whole time, but you will know what I mean!

Cut Your Own?

There is a local craft and artist shop opening up in the town and I will be displaying some pictures for sale there. So I need to mount them for display.

I have a mount cutter and sometimes cut my own mounts, but I find it all a bit of a chore. I bought the mount cutter about 15 years ago when it was unusual to see ready cut mounts for sale.

As I will need a few mounts I thought it would be easier to buy them ready cut. The ones that are available now are “cut on computerised mount cutters for quality and consistency”. That sounds really good. ;-)

Of course the mount needs to be on good quality heavy paper or thin card which is acid free.

Aperture

The window cut in the middle of the mount for the picture is the aperture. This is normally made with a 45 degree angle cut for a better finish. This has 2 benefits. The sloping cut gives a lovely finish, and if you are using a coloured mount this cut edge shows the centre of the mount material (normally white) and gives a white line around the picture. This is a very pleasing look.

Of course you can always add lines on the surface of the mount to highlight the edge around the picture. Sometimes people paint a border on the mount to match the colours used in the painting.

Double Mount

Another favourite is the double mount where there are two mounts and the aperture of the top mount is a bit bigger than the bottom mount.

Often the bottom mount is in a dark colour and the top one in a pale colour.
So when you look at the painting there is the picture, and then around the picture is the white of the cut edge, next the surface of the dark mount, the cut edge of the top mount (white line) and finally the top pale mount.

This style of mounting gives a double edge which highlights the painting and can really enhance the final look of the picture. I like this style of mounting a picture.

Of course this is then framed with a glass fronted frame to keep it clean.

Landscape or Portrait

Landscape or portrait refers to the layout of the picture. If it is wider (than tall) than it is in the landscape format and if the picture is taller (than wide) it is in the portrait format.

A standard framing technique says to cut the bottom side of the mount a bit wider than the other three sides. This is makes the final framing look better. It has to do with the way our eyes see things. By making the bottom section of the mount a little wider the final framed painting looks better. (I have heard this described as adding weight to the bottom.)

However, when buying ready cut mounts the aperture is placed in the centre so that the mount can be used for both landscape and portrait layouts.

This is not a major problem but one to bear in mind when deciding whether to buy a ready made frame and mount for displaying your paintings and doing it yourself, or if you want to pay and have it professionally framed.

Is this a problem?

Not really.

I think that this would be important on larger pictures where the mount would have quite a big area, and so it would be more noticeable.

The other time this would cause a problem would be if you wanted to use a very wide mount. (I am sure you have seen small paintings with mounts bigger than the picture itself.)

Otherwise I think that ready cut mounts will work fine. If your picture is A4 size or smaller using a ready cut mount should be alright.

Traditional or Abstracts

Although framing using a mount is normally seen on traditional pictures it can also enhance abstract artwork too.

Abstract art often works best with stronger colours for the mount. A black mount on a vibrant painting can be very effective.

I recently saw an abstract picture with a black mount and a metallic strip added to the mount to match the metallic paints used in the picture. Stunning.

I hope you find this useful.

The Black Canvas Project - Paint Something Different!

This is a good idea for the times when you want to try to paint something a bit different. The final result can be stunning.

Instead of starting with a white background why not try a black one?

Although I call this the Black Canvas Project it does not need to be a canvas! It works just the same on any painting surface, like paper or canvas panel.

What to do

This is really easy; just paint the whole of the painting surface with black acrylic paint. OK, I know this can look a bit drastic to start with but it really is an interesting option when starting a painting.

What then?

Usually you need to paint in the middle tones, shadows and then highlight the objects in your painting; however with this technique you already have all the shadows in. In this case you are picking out just the middle tones and highlights.

You may need to apply the paint a bit more thickly than normal, depending on your painting style.

This is useful when painting sunrise/sunset type pictures that have a lot of shadow. It is great for stormy pictures too.

Abstracts too

This technique works well with abstract style paintings too. It is especially effective when you want to include some metallic paints. The dark background shows up the metallic colours and makes them more vibrant.

What about adding an acrylic medium?

If you have one of the acrylic mediums that give a metallic effect to the paints you will be able to make a range of metallic colours. I have an Interferance Medium in Gold that works really well.

For a more subtle look you could try the Pearlescent Tinting Medium, which is my favourite of the moment.

When you use a medium you still get the colour but with a metallic effect. The metallic colours, like gold and silver, just look like metal. Your choice will depend on the result you want to achieve.

Next time you fancy trying to paint something a bit different look out the black paint!

Top Tips for Acrylic Painting – Number 7

Acrylic paints are water based and should not be used over oil paints.

Oil paints, or any other surface that is oily or waxy, will repel the water in the acrylic paint and the acrylic paint will not stick to the surface.

Never try to use acrylic paints on top of oil paints. Be sure to check that any painting surface you use is suitable for acrylic paints. Some painting surfaces are made for oil paints and will not be suitable for painting on with acrylics.

Top Tip for Acrylic Painting – Number 6

You can save yourself a lot of time and make painting even more enjoyable if you get into the habit of always placing your colours in the same order on your palette.

This is a simple technique and probably one of the best. When the colours are always positioned in the same area of your palette it makes setting out the paint colours a quick process.

During your painting session when you want to use a particular colour you know exactly where to find it on the palette. Otherwise you will be holding the paint brush over the palette as you search for the colour you want to use.

Painting is a calming hobby, use this tip and make your painting a pleasure.

Cadmium Yellow - Pigment Information and Meanings of the Colour Yellow

The pigment in Cadmium Yellow is based upon cadmium sulphide which produces a golden yellow pigment.

The pigment was first discovered in 1818 and is still in use today.

How it was made

Cadmium sulphide was prepared with an acid solution of cadmium salt which was heated with hydrogen sulphide gas until a powder was formed. The hues range from a lemon yellow to a deep orange.

Permanence of this pigment is excellent. The deeper varieties of cadmium yellow and orange are the most permanent.

Not for murals!

However Cadmium Yellow does discolour with combined exposure to the light, water and carbon dioxide by forming cadmium carbonate. For that reason it can not be used in mural painting techniques.

Pigment exposed to the same amount of light used on canvas or panel will not change. Therefore cadmium pigments are classified as absolutely permanent with the exception that they are not suitable for the exterior applications and for mural painting techniques.

The pigment is used in both oil and watercolours.

Some Meanings of Yellow

Although considered an optimistic colour people lose their tempers more in yellow rooms and babies cry more often, not the best colour for a nursery then. ;-)

Yellow has good visibility and is used as a colour of warning. It is also used as a symbol of quarantine or for an area marked off because of some danger.

Spanish executioner once wore yellow – they sound quite dangerous!

In Egypt and Burma yellow is a sign of mourning.

Yellow enhances concentration and speeds up your metabolism.

Yellow is the colour of peace for holistic healers.

In ancient Rome yellow was the most popular wedding colour.

A yellow ribbon is a sign of support for soldiers.

In India it is a symbol for a farmer or merchant.

In the Middle Ages actors portraying the dead in a play wore yellow.

In 10th century France the doors of traitors and criminals were painted yellow.

If someone is considered a coward it is said that they have a yellow streak.

As with the other colours we have looked at there is a range of meanings and symbolism.

Top Tips for Acrylic Paints – Number 5

The fast drying of acrylic paints can mean that a lot of paint is wasted when it dries on your palette.

The way to avoid this is to use a Reservoir Palette. You can either buy or make up a reservoir palette. (Making your own palette is described in the Acrylic Painting Course.)

A reservoir palette has a damp reservoir topped with a paper palette for mixing the paints on. The reservoir keeps the paints damp and stops them from drying out during your painting session.

At the end of your painting session you cover the reservoir palette and the paints will stay wet. That means when you want to continue your painting you can still use the paints from the previous painting session that have been kept damp on the palette.

I find that the paints will keep well for a couple of weeks however I keep my palette in a cupboard in between uses. Don’t leave it out in the sunshine!

A reservoir palette is a good economy measure. Also any colours that you’ve mixed will still be useable when you go back to continue the painting.