Showing posts with label painting technique. Show all posts
Showing posts with label painting technique. Show all posts

Wednesday, January 25, 2012

How to Add Detail to the Foreground of your Picture

This posting is about one technique for adding detail to your painting. It is not something I use a lot, with acrylic paints you can easily paint over any details you want. However it is always good to be aware of painting options for achieving a particular result.


How to Add Detail to the Foreground of your Picture


Adding extra detail to the foreground of a painting helps to make the background look further away and can give depth to a picture.

The closer something is to the front of a picture the more detail you can see. So putting in extra details in this area is a good idea.

One painting technique to achieve this is to scrape out grassy things in a landscape. Or perhaps scratch out a texture in other subjects. For example, indicating the texture of the tablecloth in a still life.


Consider your painting surface

The amount of detail you can achieve will depend on the painting surface you are using. You will be able to add more detail when painting on a smooth surface than you can on a rough surface.


Damp is easier

When using acrylic paints I prefer to scrape out the shapes while the paint is still wet/damp. Although you can scratch the dried paint to make some shapes it is easy to dig too deeply and cut into the painting surface. This can be quite a problem on a paper surface.


What to use?

You can use a range of things to scrape out the shapes you want. With thicker paints it can be handy to use a palette knife. The palette knife can be used either flat or edge on depending on the effect you want.

I often use the end of a paint brush. This can be handy for thinner paints and smoother painting surfaces.

Of course you can always use a finger nail too!


Adding extra detail to the ‘detail’

Once the paint has dried you can also paint in further detail to the scraped out shapes for highlights and shadows. This can help to give the shapes extra definition too.

The amount of detail you put into a painting will depend on the subject matter and your style of painting.

As with any technique it is always worth experimenting on a spare piece of paper to make sure you like the effect before you use it on the final piece.

Monday, October 25, 2010

Using Glow in the Dark Paint in a Painting

The last posting mentioned that the landscape painting had another secret. As you now know from the title of this post – it included some glow-in-the-dark paint.

I bought a small container from eBay and didn’t know quite what to expect.

However I like to experiment with new materials…


My first try

My first project was to use it on a lighthouse window in a picture I had previously painted. I thought that if the lighthouse window would glow in the dark it would add an interesting dimension to the picture.






The picture is displayed in quite a dark hallway and I was disappointed that there was no glow. I applied several layers of the paint but there wasn’t any improvement.


I have it so I will use it!

Seeing as I had most of the paint left I decided to give it another try. The hallway is fairly dark and maybe the paint wasn’t getting enough light in that position.

This time I applied the paint to the landscape so that the glow would look like a shimmer in the sky that was reflected on the watery section in the centre of the picture, indicated by the marked area in the photo.




As in my first attempt, I applied a few layers of the glow-in-the-dark paint. This is recommended in the instructions that came with it.


Display and Glow

I hung the painting and forgot about it. But this time it worked. :-)
As soon as the lights were out the areas that I used the glow in the dark paint on gave off a slight glow – enough for me to see even without my glasses on!

The picture is displayed on the wall on the same side of the bedroom as the digital clock. I don’t know if this gives enough light to make a difference or not, I only know that it works there.


Green Might be Better?

According to the website the brightest glow comes from the green paint. The one I have is white, which is second in their table.

I can imagine painting a sunset with over hanging trees and using the green on the leaves for an interesting glow look. I might get around to that some time.


For the Full Range

You don't need to look on eBay for this paint supplier. They have a website at www.kilabitzzz.co.uk with their full range.

They also sell some other interesting paints. There is one for UV lights and a temperature changing one too. If you're looking for something different it may be worth a look.

Thursday, April 22, 2010

How to Paint a Textured Background

Painting in backgrounds in landscapes is fairly straightforward. However when painting still life or animal portraits the background area is often a cause for concern.

Painting in backgrounds is a common problem. This post is about a way to use cheesecloth to give a lightly textured background.

The following background techniques would usually be painted before the main part of the picture.


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How to Paint a Textured Background using Cheesecloth


I like the background of a picture to have some texture or subtle colour. This has two benefits.

Firstly, by breaking up a flat background the painting is more interesting.

Secondly, if you smudge the main area of the painting it is a lot easier to repair the background area. When the background is a flat colour, all the background would need to be over-painted. With a textured background you can (often!) touch up some areas without needing to repaint all the background.


Using Cheesecloth is Easy

For an interesting background texture you can use cheesecloth or muslin. This technique can also be effective with voile and lace fabrics too. Try to experiment with whatever loosely woven fabrics you have.


Use the Fabric like a Stencil

Start by spraying your painting surface with water and then place on your fabric.

Next, brush or use a sponge to apply a thinned paint over the fabric. Try not to use too watery paint or it will run underneath it and you won’t get a texture. If this happens just dry everything off with some paper towel and try again.

Let the paint dry for about 10 to 15 minutes (depending on conditions) and then remove the fabric before the paint is completely dry. The impression of the fabric will be left in the painted background.


Alternately use the Fabric for an Impression

Another way to use the fabric is to paint the background and then press the fabric into the painted surface for a different look.

In this case the fabric will soak up some of the paint giving thicker and thinner areas that will provide some texture.


When I Paint in the Background

When I paint pet portraits I have found the easiest thing is to lightly draw in the pet portrait shape and then paint in the background area. When using a stretched canvas I paint around the sides at this stage too.

This way I can leave the majority of the portrait area unpainted. A really textured background would need a thickly painted portrait to cover it otherwise.

Then towards the end of the picture I tidy up any background areas that need it and finally paint some of the fur over the background paint. This blends both areas a little and adds to the texture of the pet fur.

This would work equally well with flowers or other subjects that are the main focus of your picture.


Abstract Themes

These painting techniques will work well for abstract pictures too. However in abstract pictures these techniques could be used at any stage.

They would be handy to use after the whole picture has been painted to add some extra interest. Then you can just define a few of the areas to bring them forward.

That is, paint most of the picture, apply the texture, and then emphasis a few of the areas once the texture has dried.

These highlighted areas would be a good place to use some acrylic mediums to give either a gloss finish or perhaps metallic highlights.


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I hope you find this helpful.
There is no right way to paint, just different ideas for achieving the look you want. :-)

Wednesday, March 24, 2010

Using Acrylic Paints for Household Repairs?

Acrylic Paint

Acrylic paint has no smell, is quick drying and the adhesive qualities make it really handy for minor household repairs.


Wallpaper

A few weeks ago I was wiping a mirror and the cord holding it up snapped. The mirror slid down the wall removing the texture of the wallpaper on its way. I was upset that I didn't catch it first, but that is life. :-)

After a quick check I knew that I didn't have enough wallpaper to redo the whole wall.

I thought about it for a couple of days and decided that I'd use some acrylic paint and texture paste to see if I could repair the worst of the damage.

I hoped to paint on some texture to blend in the areas were the textured pattern had been scraped away.

I started with a mix of texture paste and acrylic paint to fill in the deepest parts and once that was dry I applied a few coats of straight paint to fine tune some of the areas.

I wish I could say that the whole thing is wonderful, but that would be a lie. However it does hide most of the problem and I can live with it for now.


Wood

I did use acrylic paint before to blend in some wood grain on a fireplace that was chipped. If you decide to try repairing or disguising the filler on wood it is a good idea to consider whether the wood will change colour with age and adjust your wood graining to take that into account.

I was painting some wood grain onto a pine area. Pine and redwood darken quite a bit with age so I needed to make it quite a bit darker. I found the easiest way was to add a knot to the area and it worked very well.

There is often no need to buy touch up paints when you can use your acrylics.

Tuesday, December 15, 2009

How to Change the Season of Your Snowy Painting







One of the benefits of painting with acrylics is that further washes of colour do not disturb any previously dried paint. Unlike watercolours where if you add additional washes of colour you can loosen any existing underpainting.

This means that it is simple to change a snow scene into another season. However it does not work well for changing other seasonal painting into a snow scene. :-)


How to do this

This is a really easy technique. Apply washes of colour over your existing snow scene (the top painting is the original one). All the shading will still be visible and the white of the snow will change to the colour of the wash you are applying, as shown in the second picture


Increase the detail in the foreground

In a snow scene a lot of the vegetation is covered with snow so the amount of grassy things you will have in the foreground is reduced. However, when you change the season of the painting you can add a lot of grasses and plants to the foreground to enhance the picture. This will also add to the feeling of depth. A few extra grasses have been added to the third picture.

This is also a good chance to introduce more colour using flowers which will add to the change of season feel of the picture too. You can add as much foreground detail as you like.

Wednesday, November 25, 2009

Another Plastic Wrap Painting Technique Especially for Collages

I have been trying another plastic wrap technique, but without too much success this time. However maybe you will have more luck than me!

I read about another use for plastic wrap. This one is done by applying acrylic paint thickly to crumpled plastic wrap and letting the paint dry.






The paint can then be peeled off in a layer. You can cut it up for use in collages and mixed media paintings. It can be ‘glued’ on using acrylic gel or medium as an adhesive.

(I thought using thin rectangles for fence posts in the foreground of a picture would work well.)

Depending on your picture you may wish to use a blend of colours.

Or

Another ideal could be to add some beads or other small items to the wet paint. Remember that you will probably want to use the rear of the paint as the good side so push the beads right down so you will be able to see them once you remove the plastic wrap.

You can use old paints or colours you do not particularly like to try out this idea.

My Attempt

My attempt was not too successful. I applied some of my old paints to the crumpled plastic wrap hoping for some wood-like texture. Once the surface of the paint was dry I tried to peel it off the plastic wrap.

It came off OK but it was only the surface of the paint that was dry. As the centre was still soft I left finger prints in the sections that were pulled off.

So I decided to leave it to dry fully. But then the plastic wrap was really stuck onto the paint and the crumpled areas were embedded into the dried paint. So no success this time either.

I think the trick is to judge the ‘dryness’ of the paint so that you can remove it from the wrap while it is firm enough not to dent from the pressure of your fingers but before it sets too much.
This may required a bit of trial and error to get it to work successfully. :-)

Maybe you will have more luck than I did with this technique. I think it would be really useful if you can get it to work!

Tuesday, October 20, 2009

How to Use Plastic Wrap for Texture with Acrylic Paint

Using Plastic Wrap for Texture

This idea is to seal your painting surface, apply a second coat of a different colour or tone, then place some crumpled plastic wrap on top to make a texture in the second coat of paint.


The Method

So the first thing to do is apply an undercoat colour to your painting surface. Make sure that the painting surface is sealed; apply a second coat if you need to.




Next mix a second colour with some gel retarder.

The gel retarder will slow the drying time a little, which is handy for this technique.
Try 1 part colour to 1 part retarder.

Apply thinly to the painting surface and do not let it dry. Then you scrunch up some plastic wrap (we often call it cling film in the UK). Unfold loosely so that it keeps its wrinkles.

Lightly press into the glaze and pat gently, and remove before the paint dries.

There are two important points for this stage.

  1. If you do not like the effect you can brush over it and try it again until you achieve an effect you like, at least until the paint dries!
  2. Do not press the film too firmly or you will leave finger impressions in the texture, if this happens you can refer to point one above. :-)



This technique will give a random background texture. It can sometimes look a bit like leather.





In my example I used Prussian blue and some white for the base coat, this was painted onto a canvas panel. I used a darker version of this colour for the second coat with the texture. This gave quite a delicate textured look.

However, as it was difficult to see the effect in the photo I let the second coat dry and painted a third coat using mostly white. I think you can see the texture more clearly in the photo for this one.

It's also a good example of how you can build up the texture using several coats if you want.

This is a handy way to paint in a background for a silhouette style painting, or for a graphic with a strong outline.

Monday, September 21, 2009

How to Paint a Simple Sky Video

Here is a video clip that shows how to paint a simple sky



This simple sky is an excellent starting point for a range of pictures.

There is a good rule - if you have a complicated foreground be sure to keep the sky simple. When you want to paint a 'busy' sky keep the foreground plainer for a pleasing result.

Snow Scene Using 3 Colours - 2 CD set

This video clip is the start of the video I sell showing how to paint a Snow Scene Using 3 Colours. It is an interesting project and using a limited palette is a useful technique.

If you would like to see further details on this item please go to the Learn and Do website

http://www.learnanddo.com/

and click on the Acrylic Painting Course link and then the order page. The details of the Snow Scene set are further down that page.

Why do I not just put in a link directly to this page?

If I am having any problems with the website, supplies, my holiday :-) or illness then the home page is changed to the 'this website is being updated page'. This means that if there is any reason why I cannot give you the best service, you will know when you get to the home page.

This doesn't happen very often but I want to ensure that if you trust me enough to try my products that I'll give you the good service you deserve.

Monday, June 22, 2009

The Easy Way to Paint a River













This is an easy and effective technique for painting rivers. When you are painting a river it can be a bit daunting trying to get all the details in. This method paints the river in two stages so there is less to concentrate on in each stage.

The idea is that you paint the riverbed and some of the riverbank area first and let it dry. Next you over paint the area with some washes of colour then add details to enhance the final result.

Start with the underpainting

I like to use neutral tones for the stone, rocks and gravel that make up the bottom of the river or stream. It will depend on the stones natural colour whether you'll want to choose colours to the brown or grey tones for the main colour.

In either case it usually looks best if you include some of both colours. Once you have decided on the colour of the local stone you can add more of it to your base painting if necessary.

I like to underpaint some of the river banks as well. My favourite way is to include the middle and distant areas. (This can help to unify the look.) The main detailed area will be in the foreground sections which will be done later on.

At this stage you're just painting in the stony areas in the neutral tones and concentrating on getting the shapes and modelling of the rocks looking good.


Add some colour

Once the underpainting is fully dry add washes of colour to show the water and highlights on the river.

I think it is easier to start with pale washes first and then darken in the areas along the banks.

Then paint in any bank areas using thin washes of colour. There will probably be areas in the water that will reflect the grasses, so you can add them at this stage using the same wash as the riverbank.

If you are painting a sunset then the sky colours may be reflected in the water too.


Add some thick paints for definition

After you are happy with the washes use some thicker paints to give some of the areas a bit more detail. For example you may want to add ripples to the stream. The riverbank vegetation will look more interesting if you take the time to paint in some grassy shapes.


Don't forget the Highlights

I like to add the highlights in the water at the end of this process. They can be where the sunlight is hitting the water or perhaps where the water is disturbed by the rocks underneath.

The highlights may be short strokes for a sparkly look or long smooth lines for a calm ripple effect.


This will work for...

This will work for pictures where the water flows between the rocks too. Just use the same method but leave some of the rocks ‘out of the water’. You can add extra detail to these stones if you want.


Top Acrylic Painting Tips

If you only want to see a bit of the riverbank then add some white to the wash colours. As acrylic Titanium White is an opaque colour the wash will be less transparent.

Highlight with ripples of darker colours as well as lighter ones for lovely effect.


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This is a really effective technique that I hope you'll try. Remember you don't need to do a whole painting to test it out. You can try it on a spare piece of paper to see if you like the look of it.

This example is just a quick painting, if I was doing a proper painting I would probably add in some tall grasses to the foreground.